In January 2012, I finally began my lessons in Photoshop in
earnest. It seemed like a long delay before
I was really able to start using the tools to begin making collages
digitally. I had also ordered my own
Epson 9900 printer and a new 17” Macbook in the October but the printer, which
I had been told would take a few days, turned out to take almost 3 months to
arrive. I was also supposed to receive a
$1000 rebate but didn’t. Avoid Unisource
Canada if possible.
Once the printer arrived, I needed to have the computer
calibrated to the printer and fortunately had the help of Barb Reimer who is
the photo tech for the Art Dept. at the University of Saskatchewan. She did the calibrations and gave me my first
lessons on how to use the printer. I was
anxious to see the collages I had scanned in print so spent quite a bit of time
printing many of the 54 handmade collages I had adapted to prints. I originally used Epson Ultrasmooth Fine Art
paper but found it too smooth. I
switched to the Epson Somerset Velvet, which had a surface more like
traditional printmaking papers, and found I liked it much better. The results were great at least from a print
standpoint – a surface like rag paper and the color, as the Epson technician
had assured me, was magnificent.
Before I could even print the first collages I’d scanned I had to
clean up the decaled edges on Photoshop so had to learn how to use it. I had never used Photoshop before in my
life. Jeff Smith and I had discussed how
to proceed earlier and decided to bring 2 Masters students in computing science
– one to teach me how to use Photoshop and one to develop new
applications. My Photoshop instructor
has been Aryan Zahoorian and Faham Negini has been busy designing a special
application for this project (more on Faham at a later date). Aryan has been a great Photoshop teacher,
showing great patience with a fairly thick student.
My first attempts at creating collages digitally were not
very good but I got better after a few attempts. It struck me that I needed source material to
make collages like the ones I’d been making by hand in order to learn
Photoshop. Looking for online images
seemed too slow for now and the images, for the most part, were all small
jpgs. I realized that I could use all
of the files I’d just created from the scanned collages as an archive from
which to create new digital collages that were similar in certain respects to
the collages I’d been making. At one
point, I realized I knew enough Photoshop to select, cut, and paste in layers –
the same process as hand made collages.
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Digital Collage #12
2012 |
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Digital Collage #17
2012 |
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Digital Collage #22
2012 |
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Digital Collage #26
2012 |
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Digital collage #36
2012 |
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Digital Collage #30
2012 |
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| Digital Collage #33 |
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Digital Collage #37
2012 |
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Digital Collage #36
2012 |
I discovered very quickly, though, that I had way more
options using Photoshop in constructing the collages. I could, first of all, change the scale of
any selected piece; I could easily slide layers in underneath existing layers; I
could drop out white or even colored backgrounds; and I could employ layers
effects and transparencies. It made a
huge difference and I already like the new digital collages more than my original
handmade ones. These felt more like the
prints I wanted to make 20 years ago.
